Posts tagged fasola

The source of Conflict

Elder John R. Daily’s Primitive Baptist Hymn and Tune Book is a seven-shape Primitive Baptist hymnal with a strikingly distinctive harmonic style. [1] It turns out that many of Daily’s arrangements come from a few Primitive Baptist hymnals of the 1880s. One source is Durant & Lester’s 1886 “Hymn and Tune Book.” Another source is Sears & Ausmus’s 1881 Primitive Baptist Hymnal, which I haven’t seen discussed elsewhere. These sources include a number of arrangements that were later printed in Daily. They also include some arrangements that didn’t make it into Daily, but that are written in a similar style.

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@watts_ebooks

I’ve been fascinated for a while by the idea of generative poetry. Recently I started tinkering with it myself, and my first experiment is working well enough that I’ve set it up as a Twitter bot: @watts_ebooks, tweeting randomly generated hymn stanzas in the style of Isaac Watts, such as this (ethically and theologically dubious!) example:

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Four-shape solfège

In another post I wondered whether it would be possible to enter notes using the four syllables used in Sacred Harp singing, where an octave is not do re mi fa sol la ti do but rather fa so la fa so la mi fa. I guessed that the answer was no, because LilyPond assumes that note names will repeat at the octave.

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Movable-do in lilypond

LilyPond understands note names in a lot of different languages:

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Kedron

Kedron (SH 48) is known to most Sacred Harp singers as a lovely, stark and simple minor-key tune. So I was startled to see that the original version, in the United States Sacred Harmony, is strikingly chromatic in a way unlike anything else I’ve encountered in the modern shapenote repertoire.

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